Tuesday, 7 April 2015

How to Increase Home or Office Security With a Dome Camera

When you want a simple surveillance solution for your home, office or garden space, you do not have to spend a fortune on camera equipment and devices. Dome cameras are among the most cost-effective ways to increase home or office security, and can deliver high quality images at the touch of a button. Dome cameras are designed to move easily in a 360-degree viewing space, and are typically made with weather-resistant materials so they can be used in an outdoor setting without getting damaged.

Dome cameras can be used in the home or office setting to create a standard surveillance device. If you want to monitor the activities of employees, babysitters in your home, or other people in your living space from a safe distance, installing a dome camera on the ceiling can help to increase home or office security with ease.
How to Increase Home or Office Security With a Dome Camera
How to Increase Home or Office Security With a Dome Camera


One of the most important things to remember when investing in a dome camera is that it needs to be vandal-resistant. Professional, high-quality dome cameras designed with durable materials will not be easy to destroy by burglars and criminals who detect the camera is recording their actions. These cameras can be mounted in a discrete location, and work silently in the background so it is very easy to monitor the area.
You can find dome cameras in a variety of colors and styles, and most will blend into the ceiling or other areas of your home or office with ease. You can choose to install the camera directly into the wall using either a standard mount or a flush mount style.

Most dome camera kits include a mounting bracket and other accessories for easy installation, and can take only a few minutes to install and configure. They can be a simple but effective addition to any CCTV surveillance system, and provide you with high-resolution images of activity whenever you need it. Dome cameras are some of the most affordable types of surveillance equipment available, and can help to increase the security of your home or office to give you peace of mind, 24 hours per day.

See Panasonic Digital Cameras in a Different Light

Panasonic is certainly largely well known for creating very high quality as well as resilient cameras during this past years. Typically the most well liked Panasonic digital cameras tend to be the Lumix set. A majority of these digital cameras will be small in size and uncomplicated to work with. They have been beautifully received in the electronic economy and by people because of to their leading-edge internals and terrific picture quality and clarity.

Even though the easy specs are usually similar for a good number of connected with these digital cameras, just about every camera design does differ noticeably in the number of megapixels, LCD resolution, touch screen capability, lens quality, zoom potential, and stabilization features. When purchasing any Panasonic digital camera, be sure to evaluate and differentiate those elements which are most appealing.
See Panasonic Digital Cameras in a Different Light
See Panasonic Digital Cameras in a Different Light


The Lumix line of Panasonic digital cameras incorporates quite a few unique features and models. The lightweight style is accepted with men and women who like the convenience of slipping the camera inside a jean pocket, brief-case, or bag without experiencing to be concerned about scratching the surface. They come in slender and attractive styles with a retractable or sliding cover to defend the automated focus lens. These lightweight cameras are available in quite a few design colors which include red, turquoise, dark blue, orange, green, pink, black, yellow, silver, and more.

The system Lumix cameras feature interchangeable lenses to afford participants more control over the photo taking procedure. These are intended pertaining to the more experience users or for people whom like taking pictures. These Panasonic digital cameras grant the consumer to generate superior adjustments in shutter speed, exposure levels, white balance, and more in order to capture the excellent pic.

The Panasonic digital cameras contain the newest engineering and cutting edge qualities. Furthermore featuring excessive mega-pixel resolution, these digital cameras have advanced zooming for both optical and broad angles. GPS functionality is also offered to label photos when touring. The stabilizers are premier to allow the operator develop clear images. In improvement, the built-in flash procedure gives a number of methods based on the light quality and surroundings.

Several other imperative features include the actual capacity to generate separate picture effects right on the camera. Everyone can take photos with normal colors, black and white, stunning colors, or sepia. This lets the customer to generate excitement custom-made photographs for a number of uses.
See Panasonic Digital Cameras in a Different Light
See Panasonic Digital Cameras in a Different Light


Panasonic truly does significantly studies to be able to persistently strengthen their digital cameras and other items. They tune in to remarks to make innovations and incorporate features that are primary to everyday people. For example, the new Panasonic digital cameras now contain a longer battery life. The additional recent designs also have a great texture and grip to make it even simpler to store on safely and securely. In addition, the camera balance offers improved a lot as well as the number of megapixels.

Given that the quality and toughness of these digital cameras are so high-class, Panasonic provides a guarantee covering many facets of workmanship on the camera. Be certain to view the information. In actuality, a recent analysis by SquareTrade discovers that the Panasonic cameras are the most solid of all cameras researched.

The Panasonic digital cameras contain the latest technology and cutting edge features. Besides boasting high megapixel resolution, these cameras have advanced zooming for both optical and wide angles. GPS functionality is also available to label photos when traveling. The stabilizers are superior to help the user produce clear images. In addition, the built-in flash system offers many options depending on the light quality and surroundings.

Do You Struggle With Digital Cameras?

For some people, electronic gadgets are the most intuitive tools on the planet. For others, however nothing could be further from the truth. Well, it's not entirely their fault, as some gadgets simply suffer from bad design. Digital cameras however are usually laid out pretty well with the user in mind. They do have a tendency to bury too many options in several layers of menus, but their getting better. Part of the challenge for digital camera designers, is to decide how to manage all the features that are being crammed into these little silicon boxes these days.

Designers have the option to make certain camera features accessible with the software menus accessible through the LCD screen. They also have the option to make those same features accessible through the buttons, dials, and levers on the camera body. They can also make some of the buttons and dials server two purposes. Quite often, depending on what mode your in (video, portrait, landscape, etc) determines what functions the other buttons perform. This can become cumbersome and confusing if not handled in a logical manner.
Do You Struggle With Digital Cameras?
Do You Struggle With Digital Cameras?


Really, the best thing you can do is just spend some time playing around with your camera, and taking pictures using a number of different features as possible. There's really nothing you can break. Or at least there shouldn't be if it's a decent camera. By decent, I would draw the line at around $200 or more. If you paid anything significantly less than that for your camera, then it could be the camera and not you that is the problem.

It can be helpful, if you have someone good with cameras or gadgets in general to help you out. Teenagers are usually helpful, as it all seems pretty intuitive to them. I think anyone born after 1995 comes with a silicon chip in their head or something. Pretty scary actually. Although if they also came with a remote control that had a big mute button, I could see the advantages.

The bottom line here is, just make sure you get a decent quality camera, and you should have no problem getting it to do what you want.

Monday, 6 April 2015

Canon PowerShot SD890 IS Digital Camera

Specifications: The Canon PowerShot SD890 IS is a compact point-and-shoot digital camera designed for quick shots and casual use. This model can take images with up to 10MP in resolution. It has a 6.6-33mm lens and a 5x optical zoom. This model can also shoot movies in AVI formats with up to 640 x 480 in resolution. For photo previews, you can either use the spacious 2.5-inch LCD display or the optical viewfinder. It ships with a Li-ion battery pack, a 32MB memory card, charger, USB cable, AV cable, a wrist strap and manuals.

Design: The new Canon PowerShot SD890 IS weights at 5.5 ounces and measures at 3.8 x 1.1 x 2.2 inches. Compared to its predecessor, the SC850, it sports a new sleek and curvy design. This new model has more rounded edges. The right side of the camera tapers off, creating a very sleek look. The optical viewfinder is located right above the screen.
Canon PowerShot SD890 IS Digital Camera
Canon PowerShot SD890 IS Digital Camera


Features & Performance: In addition to the traditional mode dial, the new Canon PowerShot SD890 IS now includes a scroll wheel for navigating the menu. Although the idea of a scroll wheel is pretty cool, this one seems kind of sluggish and doesn't seem to be very accurate. The shot-to-shot time is at 2.5 second, which is a little slower than many of its competitors. Nevertheless, like many Canon cameras, the image quality was pretty good, with accurate colors and great exposures. The quality of the videos recorded on this model is also very good. Unfortunately, you can use the zoom feature while recording videos. All in all, I would give the Canon PowerShot SD890 IS digital camera 3 and 1/2 stars (over five stars).

Are Security Cameras An Intrusion?

The year 1984 has been and passed. When I was growing up, 1984 was well documented in a book of the same name as being a time when "big brother" would literally know everything about me; and monitor my every movement. Well, it's not quite as scary now: privacy laws are put in place to supposedly protect us from unwanted intrusions but as a model citizen, I for one welcome the increased presence of security cameras.

Crime continues to rise not just in a physical sense but also in the world of white collar business and security cameras have become a worthy ally in the detection and prevention of crime on most levels. It seems everywhere you go today there is a "third eye" monitoring your every move; in our local streets, airports, shopping centers, work places and importantly, our homes.
Are Security Cameras An Intrusion?
Are Security Cameras An Intrusion?


Security Cameras Have Become Sophisticated

Technology has meant security cameras have become more and more sophisticated. Amazingly, web cams and IP security cameras now allow us to check in an cast an eye over our property by simply logging into a computer. Receivers pick up video signals through a transmitter and as long as the receiver is connected to a TV, computer or VCR, you'll be able to monitor their field of vision. Now, wireless security camera technology is making strong inroads into the "world of the third eye."

Choosing A Security Camera

Obviously cost is going to determine exactly what level of coverage a home or business owner will receive but such is the ingenuity of camera design and technology that there is a camera for all types of situations and budgets. Believe it or not, you can even install fake cameras designed to capitalize on the theory that having a security deterrent is better than having no security at all.

When shopping for security cameras, clarity of image is an important consideration. Be specific in what you want. Price will dictate camera efficiency but in the end, they basically all perform the same function and if clarity is not an issue in your case, then don't spend unnecessary dollars: in other words, don't go overboard. Consider strongly the durability aspects of your camera especially if it is being installed outside.
Are Security Cameras An Intrusion?
Are Security Cameras An Intrusion?


One of my major considerations would be recording function. There is no point in my opinion, in installing a device which just scans an area unless it's your preference and you are big on the deterrent aspect. In an area which is considered high crime risk, image recording is vital and recording quality just as important.

There is no doubt that society is still getting used to the presence of security cameras and there are many who don't like them. As a home and business owner, I can only endorse their presence. They have been effective in the battle against crime and they played a big part in locating suspects during the London terrorist attacks in 2005. They are here to stay.

Nikon Digital Cameras - Cool (Pix) And Functional

Even though Nikon entered the camera world by 1948, today its digital cameras are well known everywhere. The company started small but always dreamed big. Here is a historical review of Nikon.

Nikon was one of the late starters in the camera world. It established itself after the end of the World War II with the launch of the Nikon I in the year 1948. It took Nikon three years to develop this camera. From its launch, the Nikon I had a lot of problems. This was rectified by the company and another model called the Nikon M was introduced in 1949 which was well accepted by the market.
Nikon Digital Cameras - Cool (Pix) And Functional
Nikon Digital Cameras - Cool (Pix) And Functional

During the 1950's, Leica (a German make) had the best 35 mm rangefinder cameras. Nikon wanted to surpass Leica, and its pursuit, it came up with the Nikon SP in 1957. This was considered to be one of the best Nikon cameras available at that time.

After this, Nikon continued to innovate and launched the Nikon F single lens reflex (SLR) camera in 1959. The Nikon F set the industry standard for SLR's and became the hot favorite of photo journalists and professional photographers at that time. With the Nikon F, Nikon managed to surpass Leica and became the market leader in this category.

Then, in the year 1980, Nikon hit another milestone. It designed the Nikon F3 which was to be used by NASA astronauts in outer space expeditions. This camera needed to be big enough so that astronauts wearing bulky gloves could easily handle it and at the same time it had to be strong enough to work perfectly in zero gravity situations and withstand the strong rays of the Sun. NASA was very happy with the job done by Nikon and it got more cameras designed for itself in the coming years from the company.

During the 1990s, Nikon continued to innovate by bringing out better and more advanced SLR cameras. It came up with the NIKONOS RS, the world's first underwater auto focus SLR camera in the year 1992. The company also joined hands with Fuji Films and introduced the E2/E2S digital still cameras in 1995. As far as digital cameras were concerned, Nikon entered the digital arena in the year 1997 with the launch of its first digital camera, the COOLPIX100.
Nikon Digital Cameras - Cool (Pix) And Functional
Nikon Digital Cameras - Cool (Pix) And Functional


Today, the company has expanded itself further, and even opened factories in distant lands such as Poland and the Netherlands. It has entered new areas such as binoculars and telescopes and eyewear. Nikon is also considered to be one of the good makes as far as digital cameras are concerned. Over its 50 year history, Nikon has done a fascinating task of constantly innovating itself and bringing about new technologies in the market. here are the latest cameras by Nikon:

Digital SLR Cameras (D-Series): For advanced, professional users.

Coolpix Cameras: Ranging from 3-5 mega pixels, these are great for everyday users.

Kevin Rockwell worked as a network TV cameraman for 20 years shooting news and sports. Now a devoted fan of digital photography and video he works to gather information, tips and news for digital camera users. Oh and he loves to shoot pictures of his kids playing sports.

Sunday, 5 April 2015

Go Pro Hero 2 Video Camera Review

The Go Pro Hero 2 could very well be the best digital camera for those needing to record sports and action hands-free. Unlike other digital cameras designed to be hand held cameras, the Hero 2 by Go Pro is a mountable design with a plethora of mounting options and brackets for your either your body (like helmet mounts or around the waist, or for your car or motorcycle too.)

The new version 2 offers many improvements over the first generation of Hero portable camera and eclipses the older version in terms of battery life, image quality and recording choices. Let's have a look:

More Megapixels

The new version of this Go Pro Camera offers 11 megapixels of resolution. This might be considered low if you compare the resolution against other more conventional digital cameras but the Go Pro still can create poster sized prints. 11 megapixels is more than enough resolution.
Go Pro Hero 2 Video Camera Review
Go Pro Hero 2 Video Camera Review


True HD Video Recording

The first and foremost reason to consider the Go Pro Hero is for the video recording, and not only can you record video underwater to depths of close to 200 ft you can also do so at a selection of high resolution video formats including 720p, 960p and 1020 HD formats.

One Touch Operation

If you're on the move, you don't have time to fiddle with camera settings and buttons. All camera controls can be accessed by just one button on the Go pro camera so making settings choices is just a click away.

Longer Battery Life

The Go Pro Hero 2 offers 2.5 hours of HD video recording on one charge of the camera's lithium battery.

More Video Storage

Get up to 8.5 hours of HD video recording on the Go Pro with the purchase of an optional 32GB SD memory upgrade card.

Unlimited Camera Mounting Options

It doesn't matter if you're a hiker, skier, cyclist or motorsports enthusiast there's a mounting solution available for any condition you could possibly think of from helmet mounts for your digital camera to motorcycle mounts or mounting options for the side of your car, you're guaranteed to find a way to record on the move with the Go Pro Hero 2 Camera.
Go Pro Hero 2 Video Camera Review
Go Pro Hero 2 Video Camera Review


Summary

This isn't the cheapest camera I have reviewed, and if you're looking for a more standard and simple point and shoot, the Go Pro might not be for you as there are better camera options. But if you are on the move and want to shoot at angles you never thought possible with a virtually indestructible video camera you owe it to yourself to give the Go Pro Hero 2 a try.

I have been working with digital cameras and photography for over 20 years and have had photos and works published worldwide. For fun I review and write about the best digital cameras I can find and offer unbiased digital camera reviews. You owe it to yourself to get the best camera price [http://www.cameraprice.org] you can when you consider any new digital camera purchase.

Thursday, 2 April 2015

Children's Digital Cameras - Tap Your Child's Creativity

Imagine handing over your prized, high specification, high pixel, and high priced digital camera to your nine-year old child, as he or she goes on a school trip. Chances are it would have to be a very, very important school trip for you to contemplate doing so. So what should you do when your children needs to use a digital camera? Or when they want to use one just for fun? Well, if you have never thought of buying a children's digital camera, here are some very good reasons as to why you should start doing just that.
Children's Digital Cameras - Tap Your Child's Creativity
Children's Digital Cameras - Tap Your Child's Creativity


A digital camera designed for children, though not as advanced in photographic capability compared to the grown up kind, does have many of the very same features as standard. Cameras designed with younger kids in mind also come with a hardy casing, being essential that the camera is sturdy enough to allow for the drops and bangs which it is likely to withstand. Children are children, after all.

There is little point sending little Joe off to school, with his two left hands and your precious, top of the line camera. Then complaining when it comes home damaged. Do the sensible thing and save yourself a bundle as well. Start them off with their very own basic camera, constructed for mommy and daddy's 'little angels.' Then buy one of the more sophisticated models as they progress into their teenage years. Now, that makes sense, doesn't it?

As they learn to use the camera, children start to hone their artistic capabilities. However, it is important that you guide them with regards to using the camera correctly. Especially for younger children. Otherwise, it might not appear to them to be any different from their existing stock of car and doll toys. Which, of course, it is! The good thing is, there's a lot going for you as a parent to buy this particular 'toy', since it has tangible output (that is photographs).
Children's Digital Cameras - Tap Your Child's Creativity
Children's Digital Cameras - Tap Your Child's Creativity


Not only will it save the pain of worrying about your own camera. Just think of all the fun you will all have! Your child is going to be 'proud as punch' when they get to show you all the pictures they've been taking, which can work wonders for their self-esteem. Plus, being a source of pride for any parent. What's more, with a children's digital camera, you need not worry about wasting film. Paying out that bit up front is going to save you money in the long run. So look on it as an investment, financially and maybe even artistically!

Digital Camera Preview - Hands On With The Sony A55

My first impression is that Sony has created a very small form digital single lens camera. First glance had me thinking that the camera would be cramped to hold and that my fingers might accidentally activate buttons. Both of these concerns proved to be misplaced, the body fit well into my hands and the balance was excellent. Overall the A55 with the kit 18-55 lens mounted seemed very substantial and quite solid.

Before I dive into the unique features of this digital camera I want to comment on a few of Sony's nicer touches. The swiveling rear LCD combination viewfinder / monitor is really very sharp and offers a decent view even in moderate sunlight. The electronic eyelevel viewfinder may not be quite the same as the view through a direct view prism, but it was more than sufficient. I liked the eyelevel finder's artificial horizon display which helped me keep the camera level while handheld.


Powering up the camera was almost instantaneous. The rear LCD displayed relevant settings information as a border all the way around the live image view. The live image switches from the rear LCD to the eyelevel finder when the camera's sensors detect that you have raised the camera to your eye.

Operationally the A55 is much like any other single lens digital camera. Buttons and switches are marked with familiar icons and labels; the ubiquitous four-way controller is under the right thumb just as on any other camera, the command and mode dials are just where I would expect to find them. In short, when the camera is up to the eye a photographer familiar with a Nikon or Canon camera won't fumble very much when seeking out the controls.

And now let's review how the Sony A55 is very different. So far I have been referring to the A55 as a Digital Single Lens (DSL) camera, leaving off the "reflex" (R) part of the description applied to other more traditional models.

In a traditional camera there is a mirror that hangs down in the image path between the rear of the lens and the camera's shutter and image sensor. This mirror reflects the incoming image up into the eyelevel viewfinder and onto focus and exposure sensors. Each time the shutter button is tripped this mirror must pop up out of the way so that the image can pass though to the image sensor. After the shutter opens and closes the mirror resets into the image path and the eyelevel finder view is restored. This reflexive up and down action gives us the "R" in DSLR.

Sony's A55 does indeed have a mirror sitting in the image path between the lens and sensor. However this mirror doesn't move up and down to get out of the way when the shutter is tripped. The mirror of the A55 is a half mirror so images both reflect up from it and pass through it as well. Think of mirrored sunglasses or a two-way mirror as an example. But why did Sony think this was a better idea than a moving reflex mirror?

Reflex mirrors have a blackout moment each time the shutter button is tripped. For a split second not only is the photographer blind but so are the focus and exposure sensors. For still photography captured at a brisk five or six frames per second this isn't a huge issue. However if the manufacturer wants to offer a camera with up to 10 frames per second the blackout period would almost exceed the viewing period so focus and exposure are less certain. Plus there is an enormous amount of damping required to prevent internal vibrations that would lead to blurred images - part of what makes traditional cameras capable of 10 FPS so expensive.

The biggest plus of a non-reflex mirror design is found in the video mode. A traditional camera design requires that the mirror be up and out of the way for video capture. With the mirror up the focus and exposure sensors are blind and the camera must be manually focused or rely on not so good contrast-based autofocus. Since the Sony A55 mirror is always down and in play the focus and exposure sensors are always operational. This means that the Sony A55 can capture 1080p HD movies with fully automatic focus and exposure, something that no other DSL can do as well.
Digital Camera Preview - Hands On With The Sony A55
Digital Camera Preview - Hands On With The Sony A55


In operation I found that the A55 in movie mode does out perform most other DSLR's that I've used. The video isn't better quality (we'll see that in a moment) but the experience of capturing it was by far effortless.

I did have several concerns with the Sony A55. Many of my issues likely come from the short time I had with the camera and would likely go away with better familiarity:

The A55 offers in-camera HDR still image capture. The camera will take several fast exposures at a wide range of settings and then combine them into one with greater tonal range. The results were good about 40% of the time. I found that most often the camera's HDR results were too cartoon-like in color with blooming reds and warm colors. Niggling detail - once set to HDR the photographer has to manually turn it off even after power down and restart. Forgetting to do this will result in the camera taking an HDR image the next time it is turned on.

Video colors seemed to be strong too. It my be that I just like more realistic contrast and color, but the A55 seems to add some "pop" to warm colors in video just as it did in HDR. I didn't care for it but my wife actually liked it so it is a matter of personal taste.

For an advanced shooter Sony's heavy reliance on pictorial descriptions of shooting modes within the menu system only slow things down. I believe that even someone new to using exposure modes will soon tire of the two-beat delay before the pictorial screen moves on to the actual menu screen.

I have some pretty good video editing software from Nero and Adobe. However the Sony video output couldn't be opened with either brand. The AVCHD video format captured by the A55 seems to require a first pass through the included Sony software before my video suites could manage the movies.

Conclusion: The Sony A55 is right on target for two types of photographer. First is the photographer moving up from a compact digital camera that will appreciate the simple menu system with pictorial assistance. The second group is the family photographer who wants a highly reliable still camera with far easier than average video capture. The photographer who only needs video on few occasions and for short duration will likely be drawn to a Nikon or Canon models for their larger system of accessories and lower entry cost.

Kids Digital Cameras - 5 Tips to Buy the Right Digital Camera For Your Child

If you're child looks up at you while you use your camera, has ever asked to user yours, or you just know that you're raising an enthusiastic little shutterbug then perhaps it's time to buy them a new camera.

The big problem is that there are so many digital cameras to choose from. You can narrow it down because you're buying one for your child and you probably don't want to get them a fancy DSLR or high end point-and-click. But manufactures have caught on to the digital cameras for kids trend and have released numerous options for your young photo fanatic.
Kids Digital Cameras - 5 Tips to Buy the Right Digital Camera For Your Child
Kids Digital Cameras - 5 Tips to Buy the Right Digital Camera For Your Child


Picking out a camera for your kid is not the same as picking out one for yourself. They have different needs and will most certainly use them very differently. I mean, are you likely to throw yours on the ground and stamp on it? Or how about forget to turn it off while the batteries slowly die... over and over again...

Before you buy a kids digital camera read these 5 tips and discover what to look for:

1) Durability - Kids are rough with their toys. Just watching them 'play' with their favorite toys may prevent you from even thinking about buying them a new camera. Well don't let it. There are a few kids cameras designed for maximum durability. The camera you choose for your child needs to live up to the abuse they may put it under.

2) Easy to Use - Adult camera have tons of features that can make for great pictures in the right hands. But with all the features comes complications. Kids don't want or need anything complicated. They just want a camera that is easy to use. The right choice for your child's camera needs to be simple.
Kids Digital Cameras - 5 Tips to Buy the Right Digital Camera For Your Child
Kids Digital Cameras - 5 Tips to Buy the Right Digital Camera For Your Child


3) Good Battery Life - Kids are more likely to leave a camera on than you are. When choosing a camera make sure it either has rechargeable batteries or has a power off feature.

4) Entertaining - Kids expect a lot out of toys. And as a parent I'm sure you'll appreciate a toy that keeps them occupied once in a while. Some cameras for kids come with games or silly things that they can do with the pictures they take.

5) Designed for Little Hands - Most cameras have small switches and complicated buttons. A kids digital camera is designed differently. They have big buttons that are fun to press and oversized handles for slippery hands to hold on to.

Remember that kids cameras are not the same as adult cameras. Focus on what your child needs and what will keep you both happy.

Infrared Digital Camera Designed for Firefighters

An infrared digital camera or thermal imaging camera uses infrared radiation to enhance visibility in various situations. Thermal imagers have proven to play a vital role in firefighting since they allow firefighters to see through smoke, darkness or heat-permeable barriers. A large component of smoke is micron-sized carbon soot particles. This makes it absorbing to visible light. Since the particle size is considerably smaller that the wavelength of the light of the infrared digital camera, the reduced scattering enables firefighters to see through smoke.

Applications

This tool has substantially increased the effectiveness as well as safety of the firefighters. Infrared digital cameras assist in locating the victims, navigation through absolute dark smoke filed buildings, spotting indications of flash-overs, establishing the area were the fire started and attacking it, and detecting any impending hot spots after extinguishing the fire. Thermal imagers even identify temperature differences of objects which is extremely vital in cases where firefighters have to open doors or venture into unknown territory that often lead to fires.
Infrared Digital Camera Designed for Firefighters
Infrared Digital Camera Designed for Firefighters


Infrared digital cameras can be integrated with infrared software for the purpose of documentation in insurance claims as well as firefighting performance matrixes.

Design

Most thermal imaging cameras today are handheld or mounted on the helmets. They are designed to operate flawlessly in extreme environments where temperatures sore anywhere between 150 degrees Celsius to 500 degrees Celsius, and also built to sustain the harsh possibilities of being dragged, dropped, or scorched. Since firefighting involved using thermal imaging to navigate through dark areas and also arriving at the heart of a raging blaze within moments, the infrared digital cameras are highly sensitive to thermal contrast in fractions of a degree. The scene range demands exceptional image processing capabilities to capture and display effective information. A quintessential firefighter is approximately wearing 50 lbs of gear excluding the axe, hose and a possible injured victim. An ideal thermal imaging camera is designed ergonomically keeping in mind the size and weight of the equipment.

Reception

In spite of the fact that infrared digital cameras are a life saving equipment, thermal imaging is considered a luxury as against helmets, turnouts, hoses, vehicles and self contained breathing apparatuses. They were usually assigned only to the Rapid Intervention Teams that are responsible to reach and free trapped firefighters. This scenario changed tremendously after the September 11 attacks and the following issue of equipment grants for firefighters by the government.

Broken Doors, Busted Tabs and Frustrating Camera Design!

So your digital camera battery door broke off and is gone.

Or your battery door has broken tabs on it and no longer holds closed tightly so the batteries don't make contact and the camera won't turn on?

Maybe your battery door is removable on your SLR so you can add on a grip with extra batteries... and where exactly did you put it down?

I know; the tiny little piece of plastic on your CF (Compact Flash memory card) door broke off and your camera won't turn on!

Oh man... how many cameras out there will not turn on because your memory card door is open, or the battery door is open, even though there really seems to be no reason for it? It's frustrating... these flimsy little battery doors made from a tiny glob of plastic are ultra thin and snap like a dry twig, (Canon Powershot SD750 battery door.. don't get me started!) making your camera useless. What were they thinking when they designed this?? Did ANYBODY test this thing? Did anybody stop for one second and ask what the reason was behind it?
Broken Doors, Busted Tabs and Frustrating Camera Design!
Broken Doors, Busted Tabs and Frustrating Camera Design!


I could work for ANY major digital camera company and tell them exactly what is wrong with the design of any new camera they release and save them hundreds of thousands of dollars in warranty repairs and upset customers! Think they would hire me? No way; I don't have an Engineering Degree or a PHd is Physics so what do I know, right?

But just look at the Sony Cyber-shot DSC-H2 shutter button, I would never have let them put the camera on the market if they had only asked!!

Well I know plenty having fixed THOUSANDS of cameras over the past 5+ years, I know what is wrong with your camera if it is a certain model before you even tell me.

Sony H2 or H5? Broken shutter button. Canon SD850? Jammed lens Canon SD750? Broken battery door... I'm not going to list dozens of cameras here, that's not what this is about.

What do you do with your camera when one small piece of plastic is broken or missing? You paid hundreds for it and once again the guy at the store tells you "Throw it in the trash, this one is better, it goes to 11." (A little movie humor there, hey it's 1:30am I'm entitled) Tell that guy at the store a resounding "NO!" and walk out. Go home, get on the computer and get surfing.
Broken Doors, Busted Tabs and Frustrating Camera Design!
Broken Doors, Busted Tabs and Frustrating Camera Design!


Back we go to eBay... search for your model number and "door" or "parts" and voila, look at what you find!

---> As a side note here (I'm kinda proud of this so bear with me) I was the first and only digital camera parts store in the world on eBay. I bought cameras by the 100's and repaired what I could and then parted out the rest. I sold all those annoying little parts that you cannot buy anywhere for dirt cheap! $10 for a battery door and all you do to install it is twist it into place... and that "geek" at the store told you it would be $175 to send it in to Canon or Sony and have them do it for you...

So you don't find your door or part there, keep looking, don't give up yet. Don't want to repair it yourself, no problem, there are places that will do it for you. Hopefully you will find one with decent prices; don't pay anyone $50 to install a battery door for you... please.

(Google: "affordable digital camera repair" and you will find some help with your camera!)

Broken battery doors and memory card doors are very common. I think we would see a lot more customers asking for them if only they knew they could actually repair it and get their camera back working for less than $25-30! It really is that cheap, with many doors for only $15-20.

I hope this helps you get your camera up and running again for very little money!

Innovations in 35mm SLR Camera Design: 1980 to 2000

In 1980, the Nikon F3 was the first 35mm SLR with a viewfinder liquid crystal digital data display (LCD). This showed little more than shutter speed information, but it started a design trend that virtually all SLRs adopted in some form.

German company Rolleiflex was the first of several companies (including Yashica's Samurai, and Ricoh's Mirai later in the 1980s) that attempted - and failed - to introduce an alternative camera shape with their now forgotten SL 2000 F. Let's just say it didn't prove popular. In the same year (1981), Pentax marketed the ME F: a heavily modified ME Super that was the first 35mm SLR with built-in auto-focus. This used a passive contrast detection system, which worked poorly, and was a commercial flop.

Sigma was more successful, and produced a 21-35mm f/3.5-4 zoom lens: the first super-wide angle zoom lens for SLRs. I'm not going attempt to address the technicalities, other than to say that computer-aided design made possible something previously thought to be impossible.
Innovations in 35mm SLR Camera Design: 1980 to 2000
Innovations in 35mm SLR Camera Design: 1980 to 2000


On to 1982, and Ricoh's XR-S was the first solar-powered SLR. It was another unsuccessful idea.

1983 proved to be a better year. The Pentax Super A was the first SLR with external LCD data display.

One of several leaps forward came in the shape of two new, and highly sophisticated metering systems. Nikon's FA was the first camera with multi-segmented metering (also know as matrix metering), which used an on-board microprocessor to analyze light levels in five different segments of the field of view, and determine the best compromise exposure. For the time, it was so advanced the buying public didn't take to the camera; they neither understood how it worked, not trusted its accuracy, but Matrix meters became standard in 35 mm SLRs by 1990, and digital cameras that followed - where this system is more commonly known as evaluative metering.

At the other end of the metering spectrum, Olympus produced the OM-4: the first camera with built-in multiple spot-meter, which could measure eight individual spots and average them for precise exposure in difficult lighting situations.

Still in 1983, Minolta scored the biggest hit when they launched the Alpha 7000, which became the first commercially successful auto-focus 35 mm SLR, and additionally introduced totally automated film handling (auto-load, wind, rewind and film speed setting). This camera was revolutionary, and its auto-focus innovations permanently changed 35mm SLR design. Other manufacturers were either forced to get on-board with auto-focus, or withdraw from the 35mm SLR arena (e.g. Mamiya, Fujica, Chinon). The Alpha 7000 started Minolta on the path to become (briefly) the number one camera manufacturer. However, as is often the way, before too long Minolta suffered a reversal of fortunes, were forced to merge with Konica, and finally stopped making cameras in 2006.

The next innovation came in 1987, when Pentax brought us the SFX, which was the first interchangeable lens SLR with a built-in electronic flash coupled with through-the-lens (TTL) auto-exposure. In a short space of time, built-in TTL auto-flashes became standard on all but the most expensive 35 mm SLR cameras.

Meanwhile Canon gave us the EOS 650 and 620, which used a new EF mount lens mount. This was the first all-electronic contact camera lens mount. Previously, camera-to-lens linkages had been mainly mechanical, but auto-focus required data exchange between camera and lens, and so the lens mount effectively became a computer data port.
Innovations in 35mm SLR Camera Design: 1980 to 2000
Innovations in 35mm SLR Camera Design: 1980 to 2000


The next year (1988) Minolta's Maxxum 7000i featured the first multi-sensor auto-focus SLR. While first generation auto-focus SLRs had a single central focus sensor, the Maxxum 7000i used an H pattern array of sensors to cope with focusing on off-centre subjects. This set the trend of growing numbers of auto-focus sensors.

By the end of the 1980s, most commercially successful cameras bristled with technology, and did all the thinking for the photographer. Point and shoot photography had become the order of the day.

Come 1991, it was ironically the company who had given birth to the popularisation of film photography that began its demise. Kodak Digital Camera Systems heavily modified a Nikon F3 to produce the first digital SLR camera. It was ridiculously expensive (and stupidly large), but it marked the beginning of the next generation of cameras, and the move away from film photography.

1992 witnessed one radically new (as in different) 35mm SLR camera. The Nikonon RS was the first waterproof 35 mm SLR made for use in underwater diving. It had auto-focus, auto-exposure, TTL auto-flash, interchangeable lenses and good accessories; all the features we had come to expect in a camera. But the Nikonos RS wasn't about to change the face of film photography. The era was over, and more manufacturers either went to the wall (e.g. Yashica and Ricoh), or evolved to compete in the digital market.

Innovations in 35mm SLR Camera Design: 1960 to 1980

In 1960, the Konica F was the first SLR with a shutter speed of 1/2000th sec. This had previously been unachievable with horizontal travelling cloth focal plane shutters, which were unable to withstand the shock of such acceleration, along with other timing and image distortion related technical troubles. The Konica F pioneered the use of a vertical travelling metal blade shutter. This was not only more robust, but moved along the shortest side of the film, making faster speeds possible.

In 1963, the Topcon RE Super was the first SLR with through-the-lens (TTL) light metering using dedicated open aperture auto-diaphragm lenses. Cadmium sulphide (CdS) cells were mounted behind non-silvered slits in the reflex mirror, and coupled to a viewfinder centre-the-needle type exposure control. Other manufacturers quickly adopted TTL light measurement, but open aperture metering took longer to become establish. Rivals did not offer this feature until 1966, when Minolta launched their SRT101, followed by Nikon's Nikkormat FTN in 1967. It wasn't until 1973 that Pentax caught-up with their open aperture metering Spotmatic F.

In 1964, the Russian Zenit 5 was the first SLR with a built-in electric motor wind, which provided automatic single-frame film advance. In the same year, Kodak's Retina Reflex IV was the first SLR to offer a hot shoe for direct flash mounting and synchronization (which was first seen in 1938 on a non-SLR camera).
Innovations in 35mm SLR Camera Design: 1960 to 1980
Innovations in 35mm SLR Camera Design: 1960 to 1980


In 1966, the Praktica Electronic was the first SLR with an electronically timed focal plane shutter in place of a mechanical control system.

In 1969, Yashica's TL Electro X was the first SLR with an all solid-state electronic light metering system. Prior to this, metering systems had been wholly or partly mechanical. Although still using a stop-down aperture metering, the light meter was linked via a circuit board to under and over exposure viewfinder lights, and correct metering was accomplished by a match-the-light system.

In 1970, the Minolta SRM was the first SLR with a built-in electric motor drive capable of continuous shooting.

In 1971, a new manufacturer entered the SLR market. Fujica introduced the ST701: the first SLR to use silicon photo-diode light meter sensors. Up until now CdS cells had been used, but they only responded to fairly bright light and suffered from a "memory" effect which could make them slow to react to light level changes. Silicon quickly became the standard light cell. Meanwhile Praktica's LLC became the first SLR with camera with electric lens mount contacts controlling the lens diaphragm stop-down electro-mechanically.

In 1972, Fujica launched their second camera; the Fujica ST801. This was the first SLR with viewfinder light emitting diodes (LEDs). It had a seven dot LED scale to indicate under, over and correct exposure - instead of a needle pointer. The design aim was the elimination of mechanical failure of meter components. Meanwhile, Olympus set a trend in miniaturisation with the Olympus OM-1: the first compact full-featured 35 mm SLR.

In 1974, Fujica were still pioneering, and developed the Fujica ST901, which was the first SLR with a "calculator-style" viewfinder LED digital display of meter selected shutter speeds.

In 1975, Olympus's OM-2 was the first SLR with TTL, off-the-film (OTF) flash auto-exposure. Rearward-facing silicon photo-diodes metered light reflecting off the film, and circuitry controlled any dedicated flashgun by detecting the point of sufficient exposure.

In 1976, it was Canon's turn to be in the spotlight, and they came up with the Canon AE-1: the first SLR with microprocessor electronics to control shutter-priority auto-exposure. This camera set the standard for all future camera design. Pentax responded with the ME: the first auto-exposure-only SLR. This featured an aperture-priority exposure system offering simple snapshot operation, and had absolutely no manually options.

In 1977, the Minolta XD7 was the first SLR with dual mode aperture-priority and shutter-priority auto-exposure. Previously one or the other had been available, but never both in one camera/
Innovations in 35mm SLR Camera Design: 1960 to 1980
Innovations in 35mm SLR Camera Design: 1960 to 1980


In 1978, Canon's A-1 was the first SLR with an electronically programmed auto-exposure mode. The A-1 had a microprocessor programmed to automatically select a compromise exposure that balanced the need to freeze action and control the depth of field. A part of the art of photography was moved from the user to the camera.

In 1979, Konica, the company that kicked of the vicennial launched the Konica FS-1: the first SLR with built-in motorized film auto-loading (and auto-winding). In the same year, Pentax introduced the ME Super: the first SLR with electronic push button controls, which were used to select shutter speeds.

And finally, in 1980, the Nikon F3 was the first SLR with a viewfinder liquid crystal display (LCD) of digital data. It showed shutter speed information along with under and over exposure indicators.

Wednesday, 1 April 2015

Innovations in 35mm SLR Camera Design: 1940 to 1960

The first innovation of this 20-year period came in 1947, in the form of the ambitious but highly unreliable Hungarian Gamma Duflex. This was the earliest SLR camera to use an instant return mirror, and an internal semi-automatic lens diaphragm.

Previously, reflex mirrors had been coupled to the shutter release and were spring actuated so that they rose automatically when the shutter was tripped, but this meant the viewfinder remain blacked-out until the mirror was manually reset to its original position.

Similarly, lens diaphragms also had to be manually closed to the required f-stop before exposure, and opened afterward. The moment before and after exposure was often a period of dim visibility. The Duflex's semi-automatic diaphragm closed the lens diaphragm to a pre-set f-stop when the shutter was released, but it still needed to be manually re-opened after exposure.
Innovations in 35mm SLR Camera Design: 1940 to 1960
Innovations in 35mm SLR Camera Design: 1940 to 1960


In 1948, the Italian Rectaflex introduced the world to the first Pentaprism SLR, although its eyepiece was angled upward at 45° (no doubt a concession to the way things had been done up until that time?).

Previously, SLRs employed "waist level" viewfinders, in which the photographer looked downward at a focusing screen to observe the reflex mirror's image. This system was difficult to use since the scene is viewed as a mirror image, resulting in directional movements being reversed. In other words, an object viewed on the left side of the frame was on the right in reality, so bringing that object more to the centre of the frame required the camera to be panned right rather that to the left. The Pentaprism re-reversed the viewfinder image, and was therefore a big step forward, facilitating far more intuitive shot framing. Objects physically on say the right were also on the right of the viewfinder.

A Pentaprism is actually an eight-sided chunk of glass, where only five of those sides are significant. Two sides are silvered and redirect and re-reverse the light from the mirror. Another two sides let light in and out. The fifth side is not used optically but is made flat for the sake of compactness. The three insignificant sides are simply cut off corners.

1949 was the year the Pentaprism started to become adopted by other manufacturers, who used it to offer the eye-level viewing that has become commonplace. The East German Contax S by Zeiss Ikon, was the second Pentaprism equipped camera, followed by the East German Praktica.

In 1950, the East German Ihagee company launched the Exakta Varex, which was the first SLR camera to have an interchangeable viewfinders, focusing screens, and a viewfinder condenser lens.

The first two items - viewfinders, and focusing screens - probably need no further explanation, since customisation and interchangeably of these components became a feature of the best SLRs. The condenser was a lens placed between the viewfinder's ground glass focusing screen and Pentaprism, which increased light intensity in the viewfinder.
Innovations in 35mm SLR Camera Design: 1940 to 1960
Innovations in 35mm SLR Camera Design: 1940 to 1960

 Meanwhile, Germany was not the only Nation making advances. In France, Pierre Angenieux gave his name to the first "retrofocus" wide-angle lens made specifically for 35 mm SLRs.

Regular wide-angle lenses need to be mounted close to the film, but with SLRs, the space required to allow movement of the mirror prevents this, and so 40mm lenses were typically the shortest focal length possible. The retrofocus design (more correctly known as an inverted telephoto) uses a very large negative front element to force back-focus distances long enough to ensure mirror clearance.

1952, was the year the Soviet Union produced their first eye level viewing Pentaprism SLR camera - the Zenit, while Japan merely accomplished their first waist level finder SLR camera - the Asahiflex I.

The majority of technological innovation still arose in Germany, and in the East - in 1953 - Zeiss Ikon made the Contax E; the first SLR with a built-in light meter. This was quite simply mounted on the Pentaprism, above the lens, and had an external selenium photoelectric cell. The meter was uncoupled, so it's readings had to be manually set as a shutter speed/lens aperture combination.

Most SLRs had Focal Plane shutters, but in 1953 - in West Germany - Zeiss Ikon made the Contaflex I, which was the first leaf shutter 35 mm SLR. Other cameras used leaf shutters, until Focal Plane shutters improved, got faster, and finally dominated SLR design from about the mid-70s.

Still in West Germany, Metz's Mecaflex became the first and only square format 35 mm SLR, based on the design principles of the 1934 Robot camera.

Now the fact that it proved not to be an influential design innovation might exclude it from this list, but it was quite a sensible idea. 24×36 mm frames are somewhat inefficient, in so far that they require a 43mm lens diameter, and 59% of that lens' area is used to produce the image. A square 24×24 mm frame requires a smaller 40mm lens diameter, and uses 64% of that lens' area. Many years later, this idea has resurged in digital camera design.

In 1954, the Praktina FX, had the first spring powered motor drive accessory for an SLR, and first breech-lock lens mount.

1955, and the Miranda T was the first Japanese Pentaprism eye-level viewing 35 mm SLR, while West German manufacturer - Kilfitt - made the first close focusing "macro" lens for 35 mm SLRs.

1957 was the year in which the Asahi Pentax was the first SLR with a right-handed rapid-wind thumb lever, foldout film rewind crank, and micro-prism focusing aid, plus it adopted the M42 screw lens mount. This landmark camera set the standard for future control layout. Elsewhere in the land of the rising sun, the Zunow SLR offered first internal auto-diaphragm - a device coupled to the shutter release and which automatically stopped down the lens diaphragm when the mirror swung up, and reopen it when the mirror swung down to provide almost continuous fully open aperture viewing. Sadly, the Zunow Company sunk into bankrupt before they could benefit from this development.

1959 - the West German Zeiss Ikon Contarex (or Bullseye) was the first SLR with a built-in light meter coupled to a viewfinder needle pointer. But, from the East came the mighty Nikon F. This was not technically groundbreaking, other than being the first SLR with an electric motor drive accessory, but its impact sealed the fate of some alternative camera formats: it displaced 35mm rangefinder cameras, and dealt a deathblow to medium format TLRs. The 1960s were here!

How To Choose A Night Vision Security Camera?

Shopping for a night vision security camera can be a little confusing if you don't have a lot of experience with them. That would include most of the population I would imagine and in this article, we will look at a small selection of security cameras which you might consider useful in applying to your property.

Basically, a night vision security camera is your own set of "cats eyes" and they enable you to see in the dark. Many businesses have found them a cheaper alternative to using security guards however, their purpose is for detection and recording so they'll never be able to replace the physical coverage of guards... not yet anyway!

The Advantage Of Infrared Light

Infrared light cuts through low light conditions with relative ease and in traditional night vision security cameras, it's what provides the ability to see images in the dark. Infrared light has the capacity to react instantaneously to any movement or intruder and provides in most cases, excellent detailed images.
How To Choose A Night Vision Security Camera?
 How To Choose A Night Vision Security Camera?


When shopping for night time security cameras, keep in mind the different levels of performance capability available on the market. It's a good idea to speak with a security camera expert because if you are seriously considering adding this type of coverage to your property, then you want to be careful you don't under or over capitalize your coverage.

Planning Your Night Vision Security Camera Installation

Planning is a huge part of security camera installation, especially for outside surveillance. Why? Because if you get it wrong then it could cost you big time in unprotected coverage.

It's not just a matter of putting up a security camera and hoping for the best. Night vision requires you to identify the areas around your home and business which offer intruders the opportunity to invade your property unnoticed. That's why you need a little planning time to identify these areas so your surveillance equipment can perform the job it was designed to do... see in the dark. The extent of your coverage will depend on the size of your property and budget but areas like poorly lit garage exteriors or walkways leading to your house could be ideal night vision camera targets.

Many people are turning to the day/night cameras as a means of getting the best of both worlds. The only problem with these is if you are wanting superior night time coverage, then you will want infrared capabilities. Cameras designed for day/night work can still capture good images in low light but without some kind of street lighting, then they could be in trouble.
 How To Choose A Night Vision Security Camera?
 How To Choose A Night Vision Security Camera?


Cost Of Night Vision Security Coverage

Every one has a different need. Wider coverage means more equipment and extra cost while those just wanting to monitor the baby will be satisfied with a simple wireless system which are usually as easy as a "piece of cake" to install.

The tough part will actually be choosing your camera. There are so many options available to consumers today with cameras costing under $100 being able to produce satisfying results. Many will look at the products available in the $100-$400 range and there are some excellent bargains in this range. You will get an appreciation of exactly what's available by simply going online. Remember though, before parting with your hard earned money, plan your coverage before you go out and buy a night vision security camera system.

Panasonic Digital Cameras: Quality for Every Photographer

Panasonic is without a doubt largely well known for creating fantastic quality as well as sturdy cameras all through these past several years. The most prominent Panasonic digital cameras actually are the Lumix series. These particular cameras will be compact in size and basic to implement. They have been nicely received inside the electronic industry and by individuals due to their advanced internals and terrific photo quality and clarity.

Though the simple specs are similar for most in these types of electronic cameras, each and every camera design does differ substantially in the number of megapixels, LCD resolution, touch screen capability, lens quality, zoom potential, and stabilization features. If searching for any Panasonic digital camera, be positive to evaluate and prioritize those capabilities that are most suitable.
Panasonic Digital Cameras: Quality for Every Photographer
Panasonic Digital Cameras: Quality for Every Photographer


The Lumix line of Panasonic digital cameras incorporates countless distinct functions and designs. The lightweight style is well-known with men and women who like the easiness of slipping the camera in a pocket, brief-case, or even handbag without having to deal with to be concerned about scratching the surface. They come in lean and classy models with a retractable or sliding cover to protect the automated focus lens. These small in size digital cameras are offered in a variety of style colors such as red, turquoise, dark blue, orange, green, pink, black, yellow, silver, and more.

The Lumix cameras feature interchangeable lenses to allow people more control over the image taking process. These are planned pertaining to the more experience users or for men and women whom appreciate photography. These Panasonic digital cameras grant the individual to produce excellent improvements in shutter speed, exposure levels, white balance, and more in order to get the finest photo.

The Panasonic digital cameras provide you with the newest technology and cutting edge abilities. In addition boasting higher mega-pixel resolution, these digital cameras possess sophisticated zooming for both optical and broad angles. GPS functionality is also on hand to label pictures while vacationing. The stabilizers are exceptional to help in the person create crystal clear pictures. In addition, the built-in flash procedure offers you a lot of choices depending on the light quality and surroundings.

Other imperative capabilities include the actual ability to produce numerous picture effects right on the camera. You actually can easily get pictures with normal colors, black and white, vibrant colors, or sepia. This enables the user to compose great personalized photographs for varieties of employs.
Panasonic Digital Cameras: Quality for Every Photographer
Panasonic Digital Cameras: Quality for Every Photographer


Panasonic performs a whole lot investigation to generally develop their digital cameras and other products. They listen closely to advice to generate advancements and integrate characteristics that are crucial to everyday customers. For example, the newer Panasonic digital cameras now have a lengthier battery life. The more recent products also possess a sweet texture and grasp to make it even simpler to hang on to on firmly. In addition, the camera balance possesses top-quality since well as the number of megapixels.

Considering the quality and strength of these kinds of cameras are so improved, Panasonic provides a warranty covering numerous aspects of workmanship on the camera. Be sure to view the details.

The Panasonic digital cameras contain the latest technology and cutting edge features. Besides boasting high megapixel resolution, these cameras have advanced zooming for both optical and wide angles. GPS functionality is also available to label photos when traveling. The stabilizers are superior to help the user produce clear images. In addition, the built-in flash system offers many options depending on the light quality and surroundings.

Digital Camera Maintenance Tips - Avoiding Costly Repairs

Today's digital cameras are sturdy pieces of hardware, but they do suffer problems from time to time. Some problems cannot be avoided and will require the services of a repair center. However, with some other problems, general maintenance can help you avoid them. Here are some tips for easy-to-follow, general maintenance for digital cameras.
Digital Camera Maintenance Tips - Avoiding Costly Repairs
Digital Camera Maintenance Tips - Avoiding Costly Repairs


    Try to avoid touching the lens and LCD with your fingers. Oils from your skin can cause difficult to clean smudges on the LCD and lens. With repeated problems, the oils could eventually cause permanent damage.

    Avoid using liquids around the camera. It's an electronics device that would be permanently damaged by excessive liquid, even water, unless it's a camera designed specifically for underwater use.

    By the same token, do not use water or cleaning liquid directly on the camera body or lens. Using excessive liquid to clean the camera can cause more damage than help. A little water on a soft cloth is better for cleaning the camera.

    When storing the camera, avoid leaving it for extended periods of time in close proximity to other pieces of electronic equipment that generate strong magnetic fields, such as televisions.

    Unless your camera is designed for harsh environments, avoid certain environmental conditions. Avoid extremely warm areas, such as the dashboard of a car parked in the sun. Anything over 125 degrees F could damage the camera. Extreme cold can damage the LCD, such as anything less than 10 degrees F. Avoid high humidity areas.

    Only store the camera in a dry, well-ventilated area. If the camera will not be used for a month or more, store it in a plastic bag with a moisture-absorbing desiccant to avoid mildew problems. Some manufacturers recommend turning on the camera once per month, even if you don't plan to use it.
Digital Camera Maintenance Tips - Avoiding Costly Repairs
Digital Camera Maintenance Tips - Avoiding Costly Repairs


    With a DSLR camera, avoid pointing the lens at the sun for any extended period of time. Focused sunlight could damage the image sensor or even cause a fire inside the camera.

    Finally, if you know you will not use the camera for at least a week, it is recommended that you remove the battery from inside the camera, storing them separately. If your digital camera has an extendable lens housing, make sure the lens is fully retracted inside the camera body before storing. With DSLR cameras, remove interchangeable lenses, and replace all lens caps and guards.

These tips can help you avoid costly digital camera repairs and help extend the life of your camera and other high tech digital devices.